Shadow puppet show in Ulaanbaatar, Mongolia. (Photo: Baha'i World Centre)
This article is for those of you who either feel “terrified”, or maybe just simply “at a loss” when it comes to integrating the arts into your study circles. You know that we are urged by the Ruhi Institute to “include artistic endeavours in the activity of every study circle”, and that we should not think of these endeavours as “entertainment or as an extracurricular activity…but as an essential element enhancing the spiritual development of the participants”.
But how do we do this when we don’t feel necessarily musical, artistic, or dramatic? Continue reading
Reza Mostmand has been practicing and developing the art of Persian Calligraphy since he was a young student in Shiraz, Iran.
Years later while volunteering at the Baha’i World Centre in Israel as a Digital Imaging Restoration Specialist, he had the unique opportunity of being exposed to marvellous works of early masters of Persian calligraphy. This exposure to those historic pieces along with the teachings of the Baha’i Faith are his continuous source of inspiration and motivation.
Now based in Toronto, Canada, Reza works as a senior designer at 19gale, a design, web and multi-media agency which he co-founded over 3 years ago. But that hasn’t stopped Reza from putting ink to paper and continuing the tradition of Persian calligraphy while adding his own unique spin to the art form. His work has been featured in local exhibitions and conferences, and he offers calligraphy workshops for youth and adults where they explore the history of calligraphy through drama, and are taught the basic rules followed by hands-on practice.
I’ve been following Reza’s artwork for quite some time now, and I was finally able to corner him and ask him some questions about his wonderful art: Continue reading