Tag Archives baha’i design

Coronation on Carmel by Michael V. Day: The Second Book in a Trilogy About the Shrine of the Bab

Coronation on Carmel by Michael V. Day is the second book in a trilogy that tells the story of the Shrine of the Bab, the resting place of the Bab, a Messenger of God whose revitalizing message prepared the way for the coming of Baha’u’llah, the Founder of the Baha’i Faith.

Michael’s skills and talents as a journalist and his deep love for Baha’i history make for an exciting read. I was delighted to hear from Michael about his book, the process of putting it together, and its uniqueness in the trilogy. Here’s what Michael shared with me:

Baha’i Blog: So good to talk to you about this second book in the trilogy, Michael! Can you tell us a little bit about the book?

Coronation on Carmel is the second book in the trilogy I wrote to tell the story of the Shrine of the Bab. It starts just after where Journey to a Mountain finished. It covers the period 1922 to 1963, the time when Shoghi Effendi took on and fulfilled the responsibility given to him by the Abdu’l-Baha to complete the Shrine of the Bab.
The book traces the drama from start to finish. First, it lists the problems in the early years and then shows how by drawing on spiritual resources and through careful planning and attention to practicalities, Shoghi Effendi engaged the brilliant architect, William Sutherland Maxwell, motivated the Baha’is to donate the funds, and with an acute sense of timing, achieved his goal.

The book details the design of the arcade and superstructure, and how it was built. There are lots of descriptions of events in and near the Shrine.

The story is set against the background of the economic depression, communal conflict in the Holy Land, the anxious times of World War 2, and the establishment of the State of Israel.

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What is the Baha’i Ringstone Symbol?

(Photo courtesy of 9starjewelry.com)

Everything you know is put to the test when you have children. Recently, after singing the prayer that begins “O God! Educate these children…” for what must have been the 1,000th time, my five year old asked me: “What is the Sun of Reality?”. She stopped me in my tracks. I really had to think about it, and think about how to explain my thoughts. She also frequently asks about what is referred to as “the ringstone symbol”, a work of calligraphy often found on Baha’i-inspired jewelry, and used by many of our family members. My answers to all these questions need some work, so this prompted me to read up on this significant symbol and, in preparation for the next time she asks about it, I’ve written up seven questions and answers about the ringstone symbol:  Continue reading

Baha’i Blog’s Top 10 Image Posts of the Year!

To celebrate Baha’i Blog’s 7th birthday, we recently posted our 10 most popular articles of the year, and now we thought it would be a good time to share our 10 most popular Image posts of the year as well!

What do we mean by “Image posts”? Well, Baha’i Blog has an Article Section, a Video Section, an Audio Section, and about two years ago we launched our Image Section, where we feature photos, wallpapers, design, art and other imagery from talented Baha’i creators. (You can find out more about our Image Section by reading this article.)

In this top 10 countdown, we list the top 10 posts with the most amount of traffic from Naw-Ruz 2017 to Naw-Ruz 2018 based on Google Analytics. Let’s start with number 10: Continue reading

Designing the Faith: Photography

Creative design has an important part to play in the Faith. There’s a small army of creative Baha’is who labour hard to communicate the message of the Faith on screen and paper. The Designing the Faithseries showcases some of their ingenious work in film, fashion, the internet, architecture and more.

In the third part of the series, we showcase the work of Baha’is who spend their days behind a lens. Armed with Japanese and Korean machinery, they capture moments of devotion, community life, and the Holy Places, letting the world catch a glimpse thereof.

Photo by Marco Abrar

 

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