Highlighting Australia
- As a proudly Australian initiative, we’re excited to showcase a collection of Australian stories, music, tributes and more.
Join activities, celebrations, study groups, spiritual empowerment and education programs for young people, and more.
Baha’i beliefs address essential spiritual themes for humanity’s collective and individual advancement. Learn more about these and more.
Many of you may have seen or heard of Calla Kinglit from her song on Baha’i Blog Studio Sessions called “No One But Thee” which actually happens to be the most popular song of our Studio Sessions series! Lots of people have been asking her for more in the comments section, and so here it is! I’m thrilled that Calla Kinglit’s debut album, called Dreamer’s Sea, is now available and it includes the studio version of “No One But Thee” as well.
I decided to catch up with Calla to find out more about her and her music, and her debut album:
I am a musician and a Baha’i, based in the Yukon Territory of northern Canada. I grew up with adventurous parents, moving from Canada to Zimbabwe to Egypt, Cameroon and back to the North. My mother taught my siblings and I piano from an early age, and I began writing music at around 11 years of age. I now play piano, guitar and mandolin, recently started learning the electric bass and oud for fun, and have a long standing dream of learning the cello.
Recorded music can be a magical escape. I have always dreamed of creating my own sonic world to escape to. I wanted to learn how to create layers in my music; to transform it from a simple instrument and vocal melody to something more rich and layered, and to push myself to learn new skills in the studio.
I hope listeners will escape from their worries when they hear my music. The movement between sadness and joy is inevitable in life, and so I hope to honestly capture that in my songwriting — attempting to represent these waves of life in a way that ultimately conveys gratitude.
I am always surprised, overwhelmed and humbled by the support I receive for my music. I channel that right back into working hard and making more music!
Looking back, recording this album was something that I wanted to do for a very long time — I started writing music seventeen years ago, and tried on many occasions since that time, tried to make it happen without success. My aspirations were to be creatively central in the production of the music, and as a young person with little experience, I found that there was a disconnect between my aspirations and my capacity to realize it.
The album finally started coming together two years ago upon meeting the album’s producer, Jordy Walker. I came into the studio with a very small amount of recording experience, and over time became more and more involved as a collaborator in the production of the music. Jordy has a huge wealth of experience, but also an openness to collaboration which allowed me to begin developing the fundamental skills of music production and a confidence in my music production intuition. As we wrote the arrangements of each song, we would both throw ideas at each other — musical layers that we could hear in the music; and we always tried the idea out without any judgement before deciding whether something would be included in the song or not. At the end of this project, I not only learned a lot about music production, but I learned a lot about how to create an open and rich collaborative space.
The support and response from Baha’i Blog listeners has been transformative to how I think about my music and my role in this world as an individual who strives to be of service in their life. Without the Baha’i Writings and the Baha’i community, I am not convinced that I would have realized that a career in music can be a path of service; I would not have been compelled in the same way to look for a way of being of service that makes use of my unique skills and capacities.
My closeness to music growing up and the sheer quantity of joy and comfort I got from it, as well as the egocentric themes in the main stream music industry made pursuing a career in it feel like a selfish venture. However, the deep sincerity of responses that I received from Baha’i Blog listeners has made me recognize that the reprieve, hope, energy and beauty that I experience from other peoples’ music is something that I might be able to provide for someone else.
The album in digital download and CD format is available on my website www.callakinglit.com, and I ship internationally! Vinyl are being pressed currently and are available for pre-purchase.
If you are interested in hosting a house concert (you invite your friends/community, and charge a ticket price to help me get to the next spot, and I will provide a solo 60 or so minute show with stories and music), please email me at [email protected].
"*" indicates required fields
We recognise their continuing connection to land, waters and community. We pay our respects to Aboriginal and Torres Strait Islander people and their cultures; and to elders both past and present.
The views expressed in our content reflect individual perspectives and do not represent authoritative views of the Baha’i Faith.
Visit the site of the
Australian Baha’i Community
and the Baha’i Faith Worldwide
If you ever get to the Atlanta, Georgia, area, please let me know.
Bill Huitt (February 2, 2022 at 7:18 PM)