Ridvan celebrates Baha’u’llah’s time in the garden of Ridvan where He publicly declared His station as a Manifestation of God. The Ridvan Festival is 12 days long and is also the time of year where Baha’is elect their governing bodies.
Savouring these artistic expressions makes me think of this call of the Universal House of Justice:
At the heart of these festivities must be a concerted effort to convey a sense of what it means for humanity that these two Luminaries rose successively above the horizon of the world. Of course, this will take different forms in different contexts, extending to a myriad artistic and cultural expressions, including songs, audio-visual presentations, publications and books. Such initiatives, coupled with widespread celebrations that are both uplifting and reverent, are also sure to spark the curiosity and wonder of many who may as yet be unfamiliar with the names of the Bab and Baha’u’llah.
Here we share 9 of the rich works of art found on bicentenary.bahai.org. Be sure to check out the site for a more!
In New Zealand, the bicentenary logo was stylized in a Maori design called kowhaiwhai. The logo uses a kowhai ngutukaka pattern—which symbolizes conversation, community and new beginning—and a mangopare pattern—which symbolizes strength and power. The whole logo itself, signifies the rising sun at dawn, referring to the Bab’s appearance as a Manifestation of God.
In South Africa, an artist has produced paintings inspired by the Bab and His mission, particularly His call to strive to elevate all things to their state of “uttermost perfection” and excellence. Here is one of those paintings.
In preparation for the bicentenary of the birth of the Bab, children, youth, and adults in Bacoor, Philippines, came together over a few days to paint a mural on the walls of a neighborhood basketball court. The murals beautified the space that is used for many types of community functions. A watercolor workshop was also organized for the youth, during which they created artworks which will form part of the decorations for their celebrations.
Sheep and alpaca wool from the Andes, spun and woven manually, make up this “earth cloth” embroidery from La Paz, Bolivia. The artist used natural dyes to color the wool in a traditional technique inspired by rural Andean culture. Pieces of these fabrics, sewn together, add texture and color to the design—a technique called appliqué.
A children’s book titled,The Beginning of the Way was published by the Baha’i community of Ukraine and draws on selected stories from The Dawn-Breakers. The illustrations capture the journeys of the early heroes of the Faith.
In her innermost heart, Sonjel is a stay-at-home parent and a bookworm with a maxed out library card but professionally she is a museologist with a background in English Literature. She currently lives on Prince Edward Island, an isle in the shape of a smile on the eastern Canadian coast. Sonjel is a writer who loves to listen to jazz when she's driving at night.
My name is Anis Alagandra Karpayah from Malaysia.
I did a few paintings for the bicentenary of the birth of the Bab.
Can i share it with you?
Anis Karpayah (December 12, 2019 at 5:29 AM)
Hi Anis! Thanks for the message, and please feel free to send us an email: [email protected]
Naysan Naraqi (December 12, 2019 at 11:29 AM)