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While reading Remembrance Suite by the poet Shirin Sabri, I found myself getting caught up in emotion.
Thinking about my tearful reaction to these stunning poems, I traced them back to an unusual mixture of feelings of outrage and inspiration.
The poet tells of the wrongs done to some of the women in history but gowns the exposure with descriptions of their achievements, and their eternal glory. The vocabulary is rich, the images suffused with colour and beauty, the message as clear as a bell.
Most of the subjects of the poems are women unknown to most people in the world but they clearly made significant contributions to the great ongoing spiritual journey of humanity. We learn of Hajar and Hatshepsut, of Zenobia and Hypatia. For Baha’is we are treated to new perspectives on Khadijih Bagum, on Navaab, and on Ruhiyyih Khanum. Other subjects are Aseyeh, Maria the Jewess, The Magdalene, Tahirih and Bahiyyih Khanum.
In her poem “Grandmothers”, Shirin Sabri lives up to her own injunction in the final verse:
So, tell their stories, breathe upon history’s blood red ember
and light their lovely faces with that flame. We will remember.
I relished the opportunity to ask the poet some questions.
I honestly do not know—I only know that I felt impelled to write it.
To some extent I allowed Baha’u’llah, Abdu’l-Baha and Shoghi Effendi to be my guides to the women of the past. I looked for women whose lives they had drawn attention to, particularly women whose contributions the Master highlighted in His talks. I realized that He focused on women who had been spiritual heroines. They had been defenders of the religion of God in their day, or protectors of the weak, or investigators of reality—in some way, they had moved the world onto a more positive track. These were the women whose stories I wanted to tell.
This sequence of poems really began with Mary Magdalene. Some years ago, I was teaching a class on World Religions. I asked the students if anyone had heard of her, and immediately a boy put his hand up with that “Pick me! Pick me!” look on his face. So I did, and he eagerly told the class, “I know! She was a whore!” I remember feeling such dismay at that moment, and an acute awareness of the contrast between the boy’s ignorance and the honour shown to Mary of Magdalene by the Master. It was a level of ignorance that had to be addressed. Writing the poems in the first part of the sequence meant revisiting those painful feelings, but also drawing energy from them—and perhaps also to some extent destroying the pain by using it.
The poems in the second part of the sequence drew out very different thoughts and emotions – I became so aware of the ways in which Baha’u’llah and Abdu’l-Baha had drawn attention to the contribution of women – and aware that we were in the middle of a disjunctive break in history. Things were clearly going to be different this time around.
Yes, it is an affirmation, in a way. An affirmation of the beauty that is inherent in humanity, in spite of all the wrong we are able to do to each other.
I don’t know about “soon”! But I do have faith that, as Abdu’l-Baha explained, the world is in the process of shifting away from the domination of “force” and “aggression”, and I do believe that we are arriving at “an age in which the masculine and feminine elements of civilization will be more evenly balanced”. As the world finds this balance, we can expect a greater value to be placed on the contributions of women. In fact, this is already evident. The positive achievements of women are already far more known than they were even a few decades ago. The world is moving!
It is so evident that the Master is intent on changing humanity’s understanding of the capacities of women. It was really confirming to search for those quotations and to find that actually I was suffering from over-choice. Abdu’l-Baha spent a lot of time persuading His audiences that women had been critically underestimated in the past. The quotes I chose are the tip of an iceberg.
I would certainly encourage others to pick up a pen. Writing poetry is one of the ways we connect to the spiritual side of our own selves and teach ourselves to be more profoundly aware of the beauty of language.
“Filled with trepidation” would be one response—just because I wonder if I am saying anything that makes sense. I have to push on past that feeling. Sometimes, if I am lucky, there is a sudden sense of everything clicking into place, and a feeling of “rightness”. The poems about sacred topics often sit in my mind for a long time before I am able to find the key that will open the door to that piece.
I am currently living in the Czech Republic, working at Townshend International School. Townshend is a Baha’i-inspired school, and working there is a great joy. Writing is something I fit into the moments when there is time.
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I would like to buy this book of poems, but don’t see how to do it from Mexico. Could I send the payment from a U.S. bank? Would they send it to me in Mexico?
Leslie Garrett (June 6, 2019 at 7:31 PM)
Hi Leslie,
Thanks for your question! The best people to answer your questions would be the friends at the Irish Baha’i Bookshop, since they are the ones selling this book. You can contact them via this page: http://irishbahaibookshop.ie/contact/ I hope this helps and brings you closer to the answers you are looking for. 🙂
– Sonjel
Sonjel Vreeland (June 6, 2019 at 9:40 PM)